Werner Schroeter Movies

Klaus Wyborny's Das letzte Jahr is a take on Ovid's "Fasti" in three parts. Yet, "a character as confused as our protagonist hardly would have been ab...

"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a fe...

Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mike...

Jesus (played by the director) returns to present-day Bavaria, walks around Munich in a somewhat dazed manner and strikes up an affair with a nun, arg...

Meetings in Lisbon...

Rosa von Praunheim is an icon in the scene: gay activist, loving provocateur and a very special filmmaker from Berlin for decades. His curiosity for p...

Vivre à Naples et Mourir (Entretien avec Werner Schroeter) is the sound recording of this informal meeting, which took place on 20 May 1978 and which,...

Tensions between members of a film crew build while they wait for the arrival of the director and star to arrive on location.

Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Ja...

"On the occasion of the premiere of Nel Regno di Napoli in Cannes in 1978, Werner Schroeter gave me an audio interview about this film and about his w...

Feminist short film set in West Berlin.

One of Werner Schroeter's most important and inventive works, this threadbare evocation of Jean Genet's notorious Querelle depicts the erotic adventur...

Schroeter’s film is a chronicle of Germany from the Nazi era until the economic boom of the 1950s and 1960s, centering on three women who search for a...

"Of all the female interpreters I know, Maria Callas was the one who, in her expressive power, could let time stand so long until all fear disappeared...

La morte d’Isotta is a passionate melodrama inspired by Richard Wagner and Comte de Lautréamont, with Schroeter appearing in a principal role.

Paula–’je reviens’ is one of Schroeter’s first experiments in choreography, as he stages actors in an empty room.