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A short documentary on the River Ouse, following it downstream from Lewes to Newhaven, meditating on the surrounding area.

SYNCHRONOUS is an intimate portrait of love and the reverse side of love: mourning. The granddaughter/maker looks idealistically at the endless love b...

Aussie boys of Asian descent candidly discuss their status as a "minority within a minority".

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family t...

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Eri...

Three single friends travel to Paris for ten days for the journey of a lifetime and in search of true love. From 'meet cutes' at the Luxembourg Garden...

Christine attends her first and last prom accompanied by Martin Fredericksen

Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sob...

Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversa...

On the outside, it looks like any ordinary seniors' facility. But on the inside, a series of remarkable, late-in-life love stories of three different...

A short, poetic documentary of an old woman and the loneliness that surrounds her after her husband was sent to a nursing home.

Annedore takes care of orphan birds. They give her that which humans througout her turbulent life could never give her: love.

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

A lighthouse keeper prepares his earthly funeral while trying to reconnect with his inner elf. Hulda and Trausti have shared a roof on the Icelandic c...

“Earth Hum” is dedicated to Rachel Martin’s Family Tree, a drawing that combines art, earth, and love all into one. In a conversation with Martin, we...